[NotiAMCA] Golems 2005 en Praga
Victorio Sonzogni
sonzogni en intec.unl.edu.ar
Mie Feb 23 10:53:29 ART 2005
Victorio,
para los suscriptores de Notiamca querría comentarte que, durante mi estadía
en Praga las semanas pasadas, el Prof. Vladimir Marik y yo, coordinadores
del "E-Golems Workshop", acordamos prorrogar la fecha límite para la
presentación de trabajos hasta el 31 de marzo de 2005. Además, querría
informarles que los trabajos aceptados serán publicados por la Universidad
Técnica Checa, y posteriormente se prevé la publicación en una serie de
Springer-Verlag de trabajos seleccionados. Adjunto nuevamente en archivo
adicional el llamado para mayor claridad.
Muy cordialmente,
Pablo Jacovkis
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Czech - Argentine Biennale "e - Golems"
First Workshop
"Interdisciplinary aspects of Human-Machine Co-existence and Co-operation"
Accompanying event to the World IFAC Congress
Prague, July 2-5, 2005
"It was with great interest that I became acquainted with the conceptual
framework of the "Golem 2002" project, inspired by the ancient, polysemous,
multi-layered, constantly re-interpreted Golem tradition - the tradition
most frequently connected with Prague, its cultural and religious plurality
and its somewhat hazy spirituality. For a long time, abundant
interpretations and associations linked to the character of Golem have
inspired authors and artists to ever new and updated reflections. Golem is
something (or somebody) still incomplete, being perpetually reborn and
recreated, in the tradition associated - not accidentally - with the Prague
of the time of Emperor Rudolph II and rabbi Loew; with the Prague of
alchemy, mystery; the Prague of scholars, charlatans and spiritual
teachers....
Still today, the Golem tradition has much to say. Relativism in assessing
values once considered indisputable, easy substitution of the good and the
evil, God's servant and his adversary, the world as the object of human
wilfulness, command and power, the world as the object of care and concern
about its future, the world at a fateful crossroads - all these generally
perceived coordinates of our complex times can be articulated against the
backdrop of the Golem tradition with great pertinence. The proof comes also
in the works of prominent writers such as Gustav Meyrink, Karel Capek,
Angelo M. Ripellino or Jorge Luis Borges, whose poem El Golem has now been
translated into Czech...."
Signed: Vaclav Havel
(October 2002, for 'Golem 2002 - 5763')
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The Academy of Sciences of the Czech Republic and Charles University in
Prague, together with the Czech Technical University in Prague and the
Jewish Museum in Prague, jointly with the University of Buenos Aires and its
Faculty of Exact and Natural Sciences, the Argentine Secretariat for
Science, Technology and Productive Innovation, the National Council for
Scientific and Technological Research and the International Foundation Jorge
Luis Borges, as well as scientists and intellectuals from both countries, in
meetings held in 2002 and 2003 in Prague and Buenos Aires, developed the
conceptual framework for a Biennale addressed to the scientific and
technological developments in the field of computer science and
technologies, their impact on the individual and society and the cultural
environment, artistic as well as social and economic resulting thereof.
The Biennale is also supported, within their respective fields of
competence, by the Ministries of Culture and of Education of the Czech
Republic and by the Secretary for Culture and the Ministry of Education of
the Argentine.
The inspiration for such Biennale was drawn from the poem on the Golem and
Rabbi Loew in Prague by Jorge Luis Borges and the present day metaphorical
value of the Golem as robot, artificial intelligence, cybernetics, virtual
reality, nano-technologies and the Internet, proved instrumental to such
framework. In the case of robotics, it links with the homunculus conceived
by the Czech writer Karel Capek in his play "R.U.R." (1921), in which he
coined the noun "robot". The name "e-Golems" of the Biennale stands for
"electronic Golems".
During the preparations, it was thought appropriate to implement the
Biennale's conceptual framework progressively, profiting from the hosting in
Prague of the 16th World IFAC - International Federation for Automatic
Control - Congress (July 4th to the 8th), by convening the first
international "e-Golems" Biennale workshop from July 3rd to 5th with the
official opening and conclusion being July the 2nd and the 5th.
The content of this First Argentine - Czech Biennale workshop is aimed at
ideas and considerations which reflect a certain transformation or parallel
between the ancient vision of the Golem as an anthropomorphic artificial
being and today's visions of information science and artificial
intelligence.
The intent of this event is to widely discuss this issue on the level of
philosophical considerations, models of behavior and learning, psychological
aspects of the man-machine cooperation, visions of information networks as
"living" organisms with the learning capabilities, self-reflection and
self-organization, distributed methods of perception, decision making and
actions, perspectives and progress carried out in the field of
non-traditional computing systems (based e.g. on quantitative approaches or
analogies to the nature), principles of adaptation with exploration of
genetic, DNA and similar algorithms, principles of the artificial life,
etc.
We expect the workshop to reflect the state-of-the-art in research in the
field of intelligent robotics with stress to topics of collective robotics,
robotic games and social behavior of software agents or physical machines.
Considerations concerning machines, their "emotions", interaction with
humans and capabilities to overtake the power over the human beings shall be
focus of attention, too. The topics aimed at a direct physical linkage of
the human tissue and electronic chips are welcome as well as a wide
discussion concerning these solutions and their consequences.
Simply, we expect this first "e-Golems" international workshop to include
many interesting topics tightly or loosely coupled with the Golem vision,
Capek's R.U.R. motives and today's cultural, social and economic environment
emanating from the impact of cybernetics science and technologies on society
and in art since its kinetic origins.
Deadline for submission of the papers is February 28th, 2005. Their lengths
should be between 5 to 10 pages and the language English. Those selected
shall be published as the proceedings of the Workshop and Biennale.
Submissions should be sent electronically to one of the contact persons.
For the Workshop, it is expected that it shall last two days, with four
consecutive sessions in each them, lasting each 90 minutes. The panelist's
presentation should last 15 minutes in order to give time for discussions
and questions from the public. Their shall be a co-ordinator for each
session. The language shall also be English.
Contacts:
Prof. Vladimir Marik,
Czech Technical University
Prague
Czech Republic
Phone: +420-224357421
Fax: +420-224357224
Mail: marik en labe.felk.cvut.cz
Prof. Pablo M. Jacovkis
Faculty of Exact and Natural Sciences
University of Buenos Aires
Buenos Aires, Argentina
Phone: +54 11 4576 3333 / 3332
Fax: +54 11 4576 3351
Mail: jacovkis en de.fcen.uba.ar
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